FULL IMMERSION COMMUNICATION TECHNOLOGY, PART 2
(ENGLISH)
Published 27 June 2024 by Swaruu Official - English
Mari Swa: Hello again. Thank you for being here with me once more. I hope you
are very well today. I am Mari. These systems are part of my daily life up here.
I strongly suggest you watch my previous videos about Taygetan quantum
holographic computer technology and the first part of full immersion
communication, if you haven't already, as it directly connects with today's
subject. Also because full immersion technology needs an enormous amount of
computer power, and I'd like you to know where it is coming from.
Full immersion communication technology is no other than virtual reality but
taken to its ultimate and most advanced form, and it is so advanced that it is
indistinguishable from reality itself. This system allows the user or users to
have a full experience as if he or she had been transported to another place
using a portal without leaving the safety and comfort of their homes or
starship, as is the case with me. This means that a person such as Queen Alenym
or myself can enter a special room inside this ship and be transported to Temmer
or to wherever to work there, meeting and talking to people and overseeing
projects safely with no need for real space travel.
The system is very complex and is as follows. The user enters a special very
large room with no windows, which is completely dark inside when the system is
off. This room is shaped as a near sphere surrounding the user or users. The
computer projects into the entire room with a 360° three-dimensional super
high-resolution image, using thousands of small cameras built into the walls,
floors, and ceiling.
The original feed for this image is coming from a small spherical drone about
the size of a large grapefruit. This drone is physically in the place the user
wants to visit. For example, in my case, it is in Temmer. This little drone
floats around using its anti-gravity systems, sometimes at around half a meter
above the height of an average person. Still, its flight altitude varies to
negotiate obstacles. It also uses the head of the person in full immersion it is
projecting as a hologram as a reference point from where it takes its sensory
readings. At the same time, hiding in the head using that portion of its
hologram so the people around cannot see it.
This drone sends sensory data to its computer which in turn logs onto the highly
advanced coded lepton muon communication technology supporting this system and
sends it to the receiving computer that can be several light-years away. In my
case, those would be 440.3, as I am currently in low Earth orbit.
Let me remind you that this technology uses lepton muons to create a high
intensity disturbance, using super high frequencies which are associated with
the ripples in the ether, and travel instantly as there is no time and there is
no distance there, or only the one or the values we give it.
As explained before, it is like using coded gravity pulses, although I just
explained in my previous video why I no longer will use the word “gravity” as it
is associated with how Earth physics views and studies cosmology in their very
limited understanding and terms. Yet, it is very difficult to explain this kind
of subject without using the word “gravity”.
Another way to attempt to explain this technology is with quantum entanglement,
where what one particle experiences in one place will make its partner react in
the exact same manner in another faraway location. Quantum entanglement is Earth
science's first attempt to study and understand faster-than-light communication
between particles. And, as you can notice, they are contradicting themselves
here again, as supposedly nothing can travel faster than light.
But, as Zai´kira, this ship's engineer, explains, the lepton muons are not
traveling faster than light at all. In fact, they are not going anywhere, as it
is only their coded vibration which overcomes those super long distances, moving
through another existential realm, the one we could call the ether or the spirit
world.
I use here those same words in the same manner as the famous Skunk Works founder
and creator Kelly Johnson used them during a meeting at Lockheed when he was
describing how his super-top-secret craft could exceed the speed of light using
and traveling through the spirit world. His words were supposedly leaked into
the public by one of the people who attended the meeting several years later, as
the story goes.
Sending the energy frequency wave coded disturbance of a muon particle through
the ether is far easier than sending an entire starship through the same ether,
but this is exactly how faster-than-light travel works, switching the
existential vibration of the ship to stop fitting in the place of origin and
start to be in accordance with its destination, literally de-manifesting itself
in one place and then re-manifesting itself in another. As this is done with
starships that sometimes weigh millions of metric tons, the same thing with
minute particle vibrations. So, seen from this angle, it is not that difficult.
Coming back to full immersion communication technology. The small spherical
drone picks up sensory data coming from its cameras and from its chemical
analyzers and other sensors, similar to spectrometers, from the physical area it
is in and then sends it using muon technology to the computer on the other end,
which uses the data to recreate the environment the faraway drone is in and
projects it in a full surrounding room in which the user is in.
The drone can transmit data such as visual and sound data, temperature, wind
strength and direction, and smell, which the computer on the other end generates
for the user, and for added realism. When the user enters the full immersion
room, he or she goes into a controlled gravity environment where the user can
walk and walk and never reach the walls of the room. Yet, the experience the
user is having is fully as if he or she was really walking in the world the
computer is projecting all over the room. The full immersion room has
temperature and wind generators linked to the data the computer is receiving, as
well as synthetic chemical releases to emulate smells and odours.
Then, back in the faraway location, the drone will also generate a
three-dimensional image of the user so he or she can be seen and can interact
with the people physically in that faraway location, also while concealing its
presence inside the same hologram it is generating. As I said above, typically
using the head.
I can imagine that most of you may be thinking that this technology is far out
and exaggeratedly advanced to an unbelievable level, and I don't blame you.
Simply think of how a modern cell phone would be seen only 100 years ago on
Earth, or your computer, or any other high technology supposedly made on Earth.
But you know what? Although this technology is still in operation, for example,
here in starship Toleka, it is obsolete. It is very obsolete, at least in most
of its most important components. This I just described is far from being
state-of-the-art, and the one that is is the one in the third part of this
subject, and it leaves this one I just described as old as a discoidal dial
phone is to most humans. Compared to the new technology, this one is crude and
unrealistic and full of problems, such as overexaggerated odours or lack of
them, incongruent wind patterns, or failing 3D parts in the image, which
sometimes appear flat or as in a screen because it is a screen. It's still good,
but you don't lose your sense of reality. You know you are in a room surrounded
by holograms, unlike the new technology that you cannot distinguish any
difference from the real world and to a frightening degree.
To be continued in the third part. This will be all for today. As always, thank
you for watching my video and for liking, sharing, and subscribing for more. And
I hope to see you here next time.
With much love,
Your friend,
Mari Swaruu